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16cb
LISTENING IN, Caroline Bartlett
mixed media; wooden rings stretched with archival crepeline, wool, linen tape, perspex
2.75" x 17" x 17"; 5" x 17" x 17"; 6" x 17" x 17", 2011
$5,600 |
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15cb
PATHWAYS OF DESIRE
Caroline Bartlett
block printed, manipulated, stitched, heat-set polyester, cotton thread
55" x 25.5"
139.75cm x 65cm
2009
$6,400 |
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14cb
ALL THESE
WE KNEW
Caroline Bartlett
block, printed, pleated, stitched linen, crochet. Cotton and rayon thread
80" x 12", 2008
$6,200
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7cb TEXTUS
Caroline Bartlett
discharge, dyes and pigments, handpainted, pleated and stitched,
silk and cotton thread
184" x 62"
1999
$17,500
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9cb MNEMONIC
Caroline Bartlett
wooden canvas stretchers, battening, stretched linen, pigment, 16" x 52", 2003
$4,600 |
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12cb TERRA ALTERIUS I
Caroline Bartlett
dyed, discharged, foiled, stitched linen
37" x 32", 2005
$3,400 |
Selected collections and exhibition venues:
Victoria & Albert Museum, London, UK (In Context; permanent collection); Whitworth Art Gallery, Manchester, UK (commission); Linden Arts Centre, Melbourne, Australia (Sculpted Surface); Museum of Contemporary Folk Art, San Francisco, California (Ragged Beauty: Repaired Textiles and other Objects); Bankfield Museum, Halifax, UK (A Collective Response; permanent collection); Hove Museum & Art Galler, UK (Tracing Threads); Embroiders’ Guild National Collection, London, UK; Tullie House Museum and Art Gallery, Carlisle, UK (Material Spaces); Millennium Galleries, Sheffield, UK (Of Material Concern); Museum in the Park, Stroud, UK (Traces and Echoes); Bury St. Edmunds Art Gallery, Suffolk, UK (Arttextiles I & II, traveling exhibitions); Collins Gallery, Glasgow, UK (The Language of Touch); Orleans House, Leighton House, London, UK (The Artist’s Journey, traveling exhibition). |
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2cb DISCOURSE I
discharge stitch and resist techniques, handpainted and printed linen and cotton thread
12" x 30" x 1" can also be installed on angled wall, 2001, $1,350 |
Statement:
My recent work has focused on the act of collecting and archiving, and on the overwriting of histories. As a result, processes of erasing and reworking, folding and unfolding, have become central to both ideas and working methods, permeating responses to other stimuli - such as recent visits to Japan and Australia. A preoccupation with the tactile and its connections with memory continue to be an ongoing concern while the use of print as a means of marking cloth, and a continuing involvement in stitch and manipulation techniques provide me with a working vocabulary and the means by which I process and articulate ideas.
Caroline Bartlett |
To purchase the artwork of Caroline Bartlett
or to obtain information about other available works, contact:
Tom Grotta
browngrotta arts
or telephone
tel: 203-834-0623 or fax: 203-762-5981
www.browngrotta.com
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