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Kay Sekimachi
Born: 1926, San Francisco, California
kay sekimachi

94k LEAF BOWL, 2011, Kay Sekimachi, skeleton of big leaf maple, 8" x 5" x 5", 2011, $1,000

kay sekimachi

93k FB908
Kay Sekimachi
natural unspun flax,
gel medium, matte medium

6.5" x 5.5" x 5.5", 2008
$2,000

(Available thru Green From the Get Go at the Wayne Art thru January 21, 2012)

kay sekimachi
91k FB 1008, Kay Sekimachi, natural and unspun flax, acrylic paint, matte medium
4.5" x 8" x 8", 2008, $2,000
Selected permanent collections and exhibition venues:
Museum of Modern Art, New York, New York (Wall Hangings); American Craft Museum, New York, New York (Marriage in Form – two-person, traveling exhibition); Renwick Gallery, National Museum of American Art, Smithsonian Institution, Washington, D.C; Cleveland Museum of Art, Ohio; Erie Art Museum, Pennsylvania (The Tactile Vessel – traveling exhibition); Minneapolis Institute of Arts, Minnesota (Intimate and Intense: Small Fiber Structures); National Museums of Modern Art, Kyoto and Japan; Museum of Arts and Design, New York, New York; Musée des Arts Décoratifs, Paris, France; Central Museum of Textiles, Lodz, Poland; Milwaukee Art Museum, Wisconsin (Fiber R/Evolution).

Recipient: Gold Medal, American Craft Council; Fellow, American Craft Council; Honor Award, Women’s Caucus for Art, Fellowship, National Endowment for the Arts.
kay sekimachi paper tower kay sekimachi mon filament
kay sekimachi
92k FB 1108, Kay Sekimachi, grey unspun flax, acrylic paint, gel medium, matte medium
4.5" x 8" x 8", 2008, $2,000
Statement:
I remember my teacher, Trude Guermon-prez saying, “try to make something with the simplest of means." I find trying to create something with limited means very challenging.

I wove my first series of boxes in 1974 – the Nesting Boxes. They were complex, involving 10 harnesses and doubleweave pick-up. They were designed to come off the loom, ironed and folded to make a square three-dimensional box with a lid with very little sewing.

The Takarabako series came in the early nineties. The Takarabakos are woven on eight harnesses in a tubular weave. They are ironed and folded into the box form. The twill weave at the top almost goes into the soft fold most naturally.
                                                                                                                  Kay Sekimachi


To purchase the artwork of Kay Sekimachi
or to obtain information about other available works, contact:

Tom Grotta
browngrotta arts

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or telephone
tel: 203-834-0623 or fax: 203-762-5981
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Copyright © 2012 browngrotta arts; photo © Tom Grotta